Abstract
painting selects, articulates and in some way binds up what has been grasped in
the exterior world with the world of its own phenomena before it then
rearranges and transposes it into new compositional, contextual and semantic
blocks which adapt themselves to the newborn form. In contrast, non-figurative
painting has no such connection or allusion to the external world.
In
abstraction and abstract work we experience the presence of such meanings as
well as the course of their transformation in response to the demands of the
painting itself, whereas non-figurative painting has lost its link to the
exterior world and its meanings. In this case painting intuitively steps into
the spontaneityof self-made forms and embraces the substance of colour,
abandoning form for a register of atmospheric sensation. The process of
painting as well as the act of perceiving it shifts into a register of
sensation and emotion and hides itself from both a conscious and a haptic
spatial reading.
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